Christian Girma — Composer, CMM Studio

  • March 2026
  • Tribute

"Paulos was a brother who stood by me when I built CMM Studio. He was a genius who could make everyone smile. The country has lost a great talent in both music and film."

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Endalkachew Hawaz (Enawa) — Gospel Artist

  • March 2026
  • Tribute

"He was the first to use Cubase for my songs like 'On Your Throne.' He was never stingy with his knowledge; he shared his software and skills for free."

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Yidnekachew Shumete — Film Director

  • March 2026
  • Tribute

"Paulos was always ahead of the curve. He would research and find hardware and software like Nuke or DaVinci that the rest of us didn't even know existed yet."

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Kulene Fikru — Wife of Paulos Regassa

  • March 2026
  • Tribute

"He didn't just work for the money; he worked for the joy of creating something perfect. Every project he touched was done with love and dedication."

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Beni Paulos — Son & Pianist

  • March 2026
  • Tribute

A father who instilled a love of music and art. Beni composed the soundtrack for Meazar — a direct reflection of the creativity and passion his father poured into him.

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Amanuel Paulos — Son & Cinematographer

  • March 2026
  • Tribute

Following in his father's footsteps into cinematography, Amanuel carries the legacy of Paulos Regassa's vision for Ethiopian film into the next generation.

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Tewodaj Media & Communication

  • 2026
  • Memorial Note

This memorial website is dedicated by Tewodaj Media & Communication as part of the Memory-Log Project — preserving the legacy of Ethiopian artists and pioneers.

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A Pioneer in Digital Production

  • 2026
  • Legacy

Paulos introduced DaVinci Resolve, Nuke, and Cubase to Ethiopian production studios years before they became industry standards. His impact on digital filmmaking cannot be overstated.

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Ashenge — A Film That Defined a Generation

  • 2026
  • Legacy

His landmark film Ashenge brought Ethiopia's WWII resistance story to international audiences, demonstrating that Ethiopian cinema could compete on the world stage.

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